Takahiko Iimura Movies

“Moments At The Rock,” shot with an amateur video camera, was made as a free style improvisational film. The camera got strange halations...

"These two reels (A-1~4, B-1~4) of MODELS I think are unusually important works. You are certainly one of the filmmakers to so explicitly direct your...

Consisting of four parts: Between the Frames; Seeing Nothing; The Privilege to See; I Am A Viewer / You Are A Viewer. The film demonstrates and...

A mind-twisting video, meditating on the experience of watching film/video, and of seeing and being seen. Prodded by a succession of riddles, the...

This film, and in particular the function of sound within it will vary freely from moment to moment, viewer to viewer.

labeled in the CCJ as "Why Not Sneeze?", this film has been described as blatantly inspired by Marcel Duchamp’s ANEMIC CINEMA.

The films concerns the "duration" (or non-duration) of one frame, as the title indicates, the minimum unit of film in space (dark and light) with...

Camera, Monitor, Frame is the first installment of Takahiko Iimura's "Video Semiotics Triptych" (the other two works are Observer/Observed, made in...

Short film for the "A Commercial for Myself" programme.

Models, Reel 2 (B-1~4) consists of four works and is dealt with, different from Reel 1, symbol/words, and the logic in film. First "Counting 1 to 100...

The three faces (two women and one tranvestized man) in the series of close up, which are shot separately in their sexual process of the acting and...

A compilation tape of performances including John Cage Performs James Joyce, Arakawa, and Iimura's first AIUEONN and As I See You You See Me shot...