Gaël Badaud Movies

"ANGLE, with its brief black and white shots, almost always plunging and oblique, of naked bodies or parts of bodies, is a film of rupture....

With Esmeralda, Hernandez shifts to the romantic mythology, but this descriptive aspect is secondary in the filmmaker's work, whose purpose is the...

Exploration of bodies. Point, counterpoint. A black glove goes in search of a red glove.

The construction of the film outlines the successive steps of a path that, as we move forward, reveals the different stages of its presentation: the...

Chutes de Lacrima Christi is an 95‑minute experimental collage film assembled entirely from unused outtakes of Teo Hernández’s...

This film is the most "plastic", the most "actionist" of Nedjar: it is his In contextus or his Double Labyrinth. Except that here - a single actor...

One of my last films to be made indoors was La vie brève de la flamme. I used light in a very expressionist manner — still with the...

1st of Gaël's trilogy.

The song composed by the author modulates the phases of the film and constitutes, in its entirety, the specific form of a call.

Outtakes from the movie

Outtakes from Maya (1979).

Outtakes from the movie.

Outtakes from the movie Corps aboli.

Winter 1978-1979: In his signature style, Hernández films hearty meals, long afternoons and candlelit dalliances inside his residence on rue...