Joyce Wieland Movies

Patriotism, Part One depicts an army of phallic, bun-clad wieners marching on a vulnerable sleeping white male body, naked save for a sheet.

A camera moves back and forth at an increasing pace. Back and forth, back and forth...

A day at the Beach, at the Sea, at the Sky and at the Sailboats.

“This film is against the corporate military industrial structure of global village.”

The film consists primarily of degraded footage of landscapes shot from vehicles moving across the country; meanwhile, 537 computer-generated...

A cutout of a woman's silhouette is displayed in many locations while a free jazz soundtrack is heard. The jazz musicians later pose for the camera...

Ken Jacobs’s most elusive and mysterious film is at once an allegory of movie-making, a demonstration of 8mm versatility, and a celebration of...

The film 1933 made between 1967 and 1968 offers a street scene shot in New York City in the late 1960s from a loft window on the second floor.

The rising moon is the main theme in this short movie of three people and an animal going about their nocturnal rituals. This movie is evidently part...

Filmed in Joyce Wieland and Michael Snow’s loft in New York, the film covers a day of friends visiting, writing and drawing from noon of one...

"The film [Birds at Sunrise] was originally photographed in 1972. Birds from my window were filmed during the winter, through to the spring, with the...

One of Joyce Wieland's earliest works, shot in 8mm and finally blown-up to 16mm, “Larry’s Recent Behaviour” has been described by...

Mother Superior commits murder to save a soul from eternal damnation. Motel Capri was original material improvised as we went along. Scenes were...

Constructed from found and stock footage, Barbara’s Blindness is a meditation on vision and adversity, drawing humour and pathos from a...

In a way a portrait of Dave Shackman with the American flag. The ending is a stop-motion animation of a set table with food moving and swirling and...